“If the choice of suburban setting Peele stages for us — wall-to-wall carpeting, pastel wallpaper, vanity mirrors — feels familiar, that’s because it is. In purposely recalling the whites-only, suburban horror of films like The Stepford Wives (1975), Halloween (1978), Poltergeist (1982), and Nightmare on Elm Street (1984) — and placing Chris squarely in their setting, Peele confronts audiences with an image foreign to the American imagination: black men terrified.”
https://www.buzzfeednews.com/article/frederickmckindra/nothingscarierthanbeingblackinamerica
Frederick McKindra 